Nick Sharrat

I am a MASSIVE Nick Sharrat fan. He is an author and illustrator, who brings a complete sense of fun to any text he touches with his colourful brush. I love the cheekiness with which he illustrates; the simplicity; and the care he takes with constructing a holistic low modality illustration. English, as most of the good 'ens are, he is prolific in what he illustrates, and is easy to spot a book he has illustrated in any book shop.
Here are some details of him taken from his website.

Personal faves at the moment: What's in the Witches Kitchen; Dear Mother Goose; Dear Fairy Godmother; Tiger Ways; Pants; Don't Put Your Finger in the Jelly - Oh who am I kidding... with over 30 of his books, I like them all!!!!

The Magic Faraway Tree - Enid Blyton

I have started to read The Faraway Tree series to my young son. So far it's been lots of fun as the children (Joe, Beth and Frannie) has explored the woods near their new house, and found it full of fun and adventure, with new worlds to explore and magical creatures with which to become friends. I love how the main protagonists are an older brother, and two younger sisters, and how Joe, the big brother, knows he's the one who needs to look out for his sisters whilst they are on these adventures. He is a good big brother - level headed, and true to his word.

It's a book that both girls and boys will like. There is no feminization in these texts. It's not about a brother and two sisters who are visiting a mystical world of rainbows, unicorns and barbies call Wanda-Tulip the third, who only do ballet, and talk about how to set people up ready to date. And it's certainly not a book that is too old for his understanding. There's an old saying that boys read boys book and girls read books... this series is the perfect combo where boys and girls have characters they can relate to and vicariously live through as the adventure unfolds.

(Some parents may not enjoy the old world-ness of letting your kids go off into the wood by themselves and play; having a story talk about young children sneaking out of the house at night by themselves, or even letting them go with a stranger - which the parents do in the book with Saucepan Man. I agree with the sentiment, but whilst reading I've encouraged my young audience to remember it's a story, and not be done in real life.)

Having never read an Enid Blyton book before, there is enjoyment in her turn of phrase, and her English quaintness. The chapters are about 4 - 7 [ages long - bites sized enough not to be laborous, but long enough to be a proper chapter book. Happily there are six books in the series - they may last us until the end of the year. (Hopefully.)

Don't Let the Pigeon Drive the Bus

Don't Let the Pigeon Drive The Bus, by Mo Willems (2004)

This is a different kind of

book. It is new wave, like a lot of children's theatre at the moment, where it gets rid of the forth wall, and interacts with the reader, not just in terms of

being comical, but truly requires 'action' and answers from the reader in order to continue with the story. It does this from the outset of the book, and so engages the child from before the 'first page', remember to read the title page when you're starting the book.

Storyline: The bus driver has to leave for a while, and he asks the reader: "Don't let the pigeon drive the bus." It's the height of common sense, but the driver clearly knows this determined pigeon and readers do not-yet. "Hey, can I drive the bus?" asks the bird, at first all sweet reason, and then, having clearly been to

ld no by readers, he begins his ever-escalating, increasingly silly bargaining. "I tell you what: I'll just steer," and "I never get to do anything," then "No fair! I bet your mom would let me." In a wonderfully expressive spread, the pigeon finally loses it, and, feathers flying and eyeballs popping, screams "LET ME DRIVE THE BUS!!!" in huge, scratchy, black-and-yellow

capital letters. The driver returns, and the pigeon leaves in a funk-until he spies a huge tractor trailer, and dares to dream again.

I also like how well the writer, who has also written for Sesame Street, constructs this book.The device of addressing the audience, as well as, the illustrations in movie-like motif's - it's very post-modern, and good.

When I read this book to groups of children I always find it an interesting study on which children adhere to the driver's request; and which don't. Some children love the fact they can 'give permission' for the pigeon to be naughty. A very interesting character study of children.

Don't Let the Pigeon Drive The Bus is an 'unflinching and hilarious look at a child's potential for mischief. In a plain palette, with childishly elemental line drawings, Willems has captured the essence of unreasonableness in the very young.'

Like Willem's Knuffle Bunny Series; the Pigeon series (there's four them) is also well worth the investment into buying them all. The Pigeon series can be read at playgroup level also. I wouldn't recommend Knuffle Bunny series in a group setting.

The Growing Story

The Growing Story By Ruth Krauss and illustrated by Helen Oxenbury (Reprint 2007)

This wonderfully timeless story is suitable for children from 2 - 12 years old, and each will find a part of it they can relate to. It is about the universal experience of growing up and discover the rhythms of the seasons. A little boy, some chicks and a puppy live on a farm. They see the first signs of spring growing in the fields and the little boy asks his mother if he and the puppy will grow too. She assures him that he will. And we watch him and the puppy and chicks grow during the changing season of the book. For instance, as spring turns to summer he sees his dog growing taller and the chicks become chickens. But as the seasons change he feels that everything is grows around him, but he is staying the same. With a great ending to it all, this very predictable book will by enjoyed by children, as it answers that age old question about growing.

This charming story will enchant younger readers and is perfect for sharing aloud. Beautifully presented as an illustrated in usual Helen Oxenbury style.

PS The cover that appears in the photo is the cover of the reprint, re-illustrated version. The original can be found on the web.

The Birthday Party and The Grumpy Day

The Birthday Party and The Grumpy Day by Stephanie Carmichael and Jess Green (2011)

I just got sent some new books by the publisher yesterday and I love them. Matthias Media sent me their hot off the press, not yet released kids books. These are number 3 and 4 in the Stephanie Carmichael series. They are a great read, for all ages...

The Birthday Party and The Grumpy Day... I can't even get an image of them from the net - I've gone and photographed the covers.

The Birthday Party is about Ben's birthday and his sister Emily wanting to throw a pretend birthday tea party for him, and then all the family getting in on the act, leading into God's love for everyone. It's a sweet tale, which is beautifully written to be read aloud, and the illustrations reflect the simplicity of it brilliantly. It has a very, very cute ending.

The Grumpy Day is about the three kids

of the same family as above each being grumpy because they are unable to do what they want. A cute story which leads to praying for our wants to God, but knowing that He's ultimately in control, so to trust in Him. Very well written and not heavy handed in the 'God' stuff. This one will appeal to all the kids in your family as they will have a character to identify with.

Love, love, love, love, love.

Grab them for god-children, your children, nephews, nieces, next door's kids, kids at church, for Christmas, for birthdays ... they're great.

New Children's Laureate announced

Julia Donaldson was born in 1948. She grew up in London and studied Drama and French at Bristol University. She worked for a few years in publishing and as a teacher, while also writing and performing songs and street theatre with her husband Malcolm, and writing and directing two musicals for children. She then combined a career writing songs for children’s television with bringing up a family. In 1993, one of her songs was made into a book, A Squash and a Squeeze. Since then she has written over a hundred books and plays for children and teenagers, including the award-winning rhyming stories The Gruffalo, Room on the Broom, The Snail and the Whale and Zog, all illustrated by Axel Scheffler, which are among the UK’s best-selling picture books.

Julia has also worked with different illustrators, among them Lydia Monks, Nick Sharratt and David Roberts, and has written several young fiction titles, including three books about Princess Mirror-Belle, who is the badly-behaved reflection of a well-behaved girl. Her novel for teenagers, Running on the Cracks, came out in 2009 and won the Nasen Inclusive Children’s Book Award.

She is also the author of many educational books, including the 60 books which comprise the phonic reading scheme Songbirds. This series is part of the Oxford Reading Tree published by Oxford University Press.

Julia still loves writing and singing songs, and has produced three books of these, each one with a CD on which she is accompanied by some great live musicians. And her passion for drama is kept fresh by her frequent dramatic performances at book festivals and theatrical events, where she talks, acts and sings with her audiences.

Farmer Duck - Martin Waddell and Helen Oxenbury

Farmer Duck - Martin Waddell and Helen Oxenbury (1996)

There once was a duck

who had the bad luck to live with a lazy farmer. While the duck worked, the farmer lay in bed - until one day the other animals decided to take action! Martin Waddell and Helen

Oxenbury work their storytelling magic in Farmer Duck. A duck does all the work for a lazy farmer until a rebellion by the other barnyard animals sets

them all free. It has been said, that by book's end, young

readers will flap for joy right along with the endearing web-footed hero.

I love this book because of it's fun nature. All children will be on the side of the animals getting rid of the farmer. It's interesting that

we're never told the animals' plans to get rid of the farmer, and yet we don't need to the finer

details of the plans, the story is unfolded in the illustrations. I love that this book as has sweet and delicate interdependence of words and text. It brilliantly

showcases these two masters of children's literature: Helen Oxenbury and Martin Waddell.

Firstly, Helen Oxenbury is in my top 5 favourite illustrators.

The simplistic look of her illustrations, are actually belied by the complexity in which they are drawn. Helen Gillian Oxenbury is an award-winning illustrator of children's picture books. She lives with her husband, the illustrator John Burningham, in north London. (We'll come back to the outstanding John Burningham in a few weeks time.) I love the way she draws faces with such simplicity, and yet, they easily convey to a child how the character is feeling.

Martin Waddell is widely regarded as one of the finest contemporary writers of books for young people and he won the prestigious Hand Christian Anderson Award in 2004. He is also a twice winner of the Smarties Book Prize - for "Farmer Duck" and "Can't You Sleep, Little Bear?" - and he also won the Kurt Maschler Award for "The Park in the Dark" and the Best Books for Babies Award for "Rosie's Babies". Martin Waddell (born 1941 is a prolific, award winning children's author. He has lived most of his life in Newcastle. As a child, Waddell was often told stories in a lively manner. This inspired him and "the love of story" stuck with Waddell ever since. In 1972 he went into a church to stop some vandals and got caught up in an explosion in Donaghadee, Co Down - an experience that took him some years to ovecome. As an author, nearly all of Waddell's stories are inspired by events and/or places in his life at the foot of the Mourne Mountains. As he humorously claimed, "I’ve been blown up, buried alive and had cancer as an adult, and survived all these experiences, so I’m a very lucky man."

Farmer Duck is well worth a borrow from the local library to read to your children aloud.